|
|||||||||||||||||
![]() |
|||||||||||||||||
I am originally from New Zealand. My great, great grandmother was a Maori princess and her name was Erena Pareraukawa. The Maoris arrived in New Zealand about 1,000 years ago. and the canoes that brought them across the Pacific each had a name. Erena's ancestors came in a canoe called the Tainui. Since then, all descendants of the canoe are recognized as belonging to the Tainui tribe. In 1992 the descendants of Louis and Erena's eight children organized a family reunion and rented an entire town to accommodate the 4,600 family members who had registered for the four-day gathering. It was very moving to be in attendance with so many other relatives as the Maori elders chanted and wailed their traditional sacred Maori welcome. Return to Top As a child I read books written by the beloved English children's author, Enid Blyton. My favorite stories were from two of her series called, The Famous Five, and The Secret Seven. I also loved listening to a radio show called Tusitala – a Samoan word meaning "Teller of Tales". They were stories written by Robert Louis Stevenson, the Scottish author who also wrote "Treasure Island". In the latter part of his life Stevenson lived on the Polynesian Island of Samoa. After he died there in 1894, the people honored the famous storyteller by burying him in a revered location atop a mountain called, Mt. Vaea. Return to Top I spent a lot of my early life writing poems and songs. At the time I couldn't play any musical instruments, so I would just hum the melody to go with the lyrics. I also created plays where I would round up all the neighborhood kids and cast them as the characters in my stories. After rehearsing for a short time (and believe me, it was usually a very short time), we would present the production in my friend's garage. Chairs were set up on the driveway in front of the garage for the invited guests (the neighbors and parents of the cast), and for refreshments, someone's mother would supply biscuits or fruit cake, and glasses of soda. Dressed in a strange assortment of costumes, we performers would then act out our play inside the garage, manually raising and lowering the heavy wooden door for the many scene changes. Unfortunately, these scene changes were often long and lengthy as the stage hands were also the ushers, the sound technicians, the prop masters, the actors, etc. I loved melodrama and always wanted the audience to be moved by my stories so I would make sure all my main characters died at the end of each play. Return to Top |
|||||||||||||||||
![]() |
|||||||||||||||||
![]() |
|||||||||||||||||
![]() |
|||||||||||||||||
![]() |
|||||||||||||||||
![]() |
|||||||||||||||||
Home | Author Info | Cool Links | Stories | Photos | Contact |
||